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Postcard
| Photograph: | 60001-190 |
| Group: | 60001 |
| Image Number: | 190 |
| Disposition: | VA Collections |
| Image Status: | Acquired |
| Location: | Unknown |
| Image Type: | Postcard |
| Event: | Other |
| Num Persons: | Unknown |
| Part of Album: | No |
| URL: | https://www.visualancestor.com/image/?group=60001&image=60001-190 |
| Date (Est): | 1900-1935 |
| Determination: | Deduction |
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| Front Inscription: | auto detected: 22:10 ... 253 - PARIS. Eglise de la Madeleine. Le Maître-Autel. ND |
| Back Inscription: | auto detected: POST CARD ... CArle Postale ... POSTKARTE ... BRIERKAART POSTKAART ... CARTOLINA POSTALE ... ОТКРЫТОЕ ПИСЬМО -- TARJETA POSTAL ... Taris To. 12. 18. ... Dear friend ... I am I am without news brown ... you Line a your defined ... Should be you more it ... Each day I am wait my my ... something from you ... I will be ylad to his ... how do you 20, ... If you can send ... me a little word ... I am in good health ... Since a your frund ... Borthy |
| Other Inscription: | None |
| Provenance: | None |
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| Active: | True |
| Access: | Group |
| Created: | June 3, 2024 |
| Contributor: | CuratorInChief |
| Curator: | CuratorInChief |
| Archivist: | CuratorInChief |
ec7c7842-11df-4ea3-8e43-cbcd14c08a11
Photographer
| Photographer: | 99999 |
| Individual Name: | Unknown |
| Business Name: | Unknown |
| Determination: | Unknown |
| Num Locations: | 1 |
| Location Number: | 1 |
| Determination: | Unknown |
| Loc Begin Date: | Unknown |
| Determination: | Unknown |
| Loc End Date: | Unknown |
| Determination: | Unknown |
| Address: | Unknown |
| City: | Unknown |
| State: | UN |
| Country: | Unknown |
| Note: | 99999 is used for the unknown catch-all |
| Active: | True |
| Archivist: | CuratorInChief |
8127bfc8-20e0-4aa2-a318-2f39423991fd
Comments
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License and Citation
| License: | Public Domain Standard: Visual Ancestor provides access to this and other related digital works based upon evidence that they exist within the Public Domain with no rights restrictions upon them, nor any other restriction on their use. We hold this belief based upon the age and nature of these works, and lack of evidence of any copyrights in effect. However, we do not provide any guarantee, implied or actual, that this is necessarily the case and advise you to arrive at your own conclusion before using these works. If you have evidence that these works are protected by a legally valid copyright, please report such evidence to us for immediate action. Submit take-down request. More about licensing. |
| Citation: | Postcard 60001-190. https://www.visualancestor.com/image/?group=60001&image=60001-190. In the digital collection Visual Ancestor Group 60001. Visual Ancestor Library of Photographs from 1840-1940. Jan. 4, 2026. |
Notes
Notes about Altering Photographs
It should always be the case to present the original, unaltered photograph as it really exists as the true obverse "a" side, and likewise the original, unaltered back side as the true reverse "b" side. This ensures the true nature and appearence of the photograph is preserved in an original and unaltered state. If the photograph warrants repair, enhancement, or restoration, this would make for excellent "additional sides" to include along with the original "a" and "b" sides. This is why some photographs have these additional "c" and sometimes "d" sides.
Notes about Photograph Quality
For best preservation, photographs should be scanned at a minimum resolution of 600 dpi (dots-per-inch) for the obverse side, and a minimum of 300 dpi for the reverse side. It is better to capture too much quality and image detail than too little. Tiny photographs can be scanned at 1,200 dpi. Scanners usually have settings that allow you to adjust scanning resolution.
Image compression also plays a factor in image quality. Higher compression means image quality is lower, but the file size commensurately decreases. File formats that are "lossless" have no compression (thus maximum quality), but may consume more memory space than what is really needed. Visual Ancestor uses JPG images with 5% compression (95% quality factor) for the obverse side, and 10% compression (90% quality factor) for the reverse side.
Notes about Shading and Hues
The shading and hues of color of a photograph can vary from when it appears in an album page (usually lighter and dominated by lighter hues) to when it is scanned alone (usually darker and dominated by darker hues). This is due to how a scanner or camera adjusts the overall shading and coloring of the overall image based upon the entire field of light that it captures.
The surface area of album pages, which are usually very light in shading, influences how the photographs appear therein. This is why a photograph in an album page may appear lighter and dominated by lighter hues, while the exact same photograph when viewed alone may appear darker and dominated by darker hues.
It should always be the case to present the original, unaltered photograph as it really exists as the true obverse "a" side, and likewise the original, unaltered back side as the true reverse "b" side. This ensures the true nature and appearence of the photograph is preserved in an original and unaltered state. If the photograph warrants repair, enhancement, or restoration, this would make for excellent "additional sides" to include along with the original "a" and "b" sides. This is why some photographs have these additional "c" and sometimes "d" sides.
Notes about Photograph Quality
For best preservation, photographs should be scanned at a minimum resolution of 600 dpi (dots-per-inch) for the obverse side, and a minimum of 300 dpi for the reverse side. It is better to capture too much quality and image detail than too little. Tiny photographs can be scanned at 1,200 dpi. Scanners usually have settings that allow you to adjust scanning resolution.
Image compression also plays a factor in image quality. Higher compression means image quality is lower, but the file size commensurately decreases. File formats that are "lossless" have no compression (thus maximum quality), but may consume more memory space than what is really needed. Visual Ancestor uses JPG images with 5% compression (95% quality factor) for the obverse side, and 10% compression (90% quality factor) for the reverse side.
Notes about Shading and Hues
The shading and hues of color of a photograph can vary from when it appears in an album page (usually lighter and dominated by lighter hues) to when it is scanned alone (usually darker and dominated by darker hues). This is due to how a scanner or camera adjusts the overall shading and coloring of the overall image based upon the entire field of light that it captures.
The surface area of album pages, which are usually very light in shading, influences how the photographs appear therein. This is why a photograph in an album page may appear lighter and dominated by lighter hues, while the exact same photograph when viewed alone may appear darker and dominated by darker hues.
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