Photographs
from Group 10024
Group List
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Previous

Photograph 10024-505
from Group 10024

Previous
notes separator
left marker Photograph left marker
Photograph: 10024-505
Group: 10024
Image Number: 505
Disposition: Dealer Collections
Image Status: Scanned
Location: Unknown
Image Type: Cardstock
Event: Portrait
Num Persons: 1
Part of Album: No
URL: https://www.visualancestor.com/image/?group=10024&image=10024-505
Date (Est): 1880-1940
Determination: Deduction
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Front Inscription: None
Back Inscription: None
Other Inscription: None
Provenance: None
notes separator
Active: True
Access: Group
Created: November 19, 2022
Contributor: CuratorInChief
Curator: CuratorInChief
Archivist: CuratorInChief

445eb4b8-eedc-4f34-a38c-2e486bcdb4ee

left marker Photographer right marker
Photographer: 20241
Individual Name: Sarony Otto
Business Name: Otto Sarony Co.
Determination: Photographer Stamp
Num Locations: 5
Location Number: 1
Determination: Photographer Stamp
Loc Begin Date: Unknown
Determination: Unknown
Loc End Date: Unknown
Determination: Unknown
Address: 146 Tremont St.
City: Boston
State: MA
Country: United States
Note: None
Active: True
Archivist: CuratorInChief

7edeab40-0e5e-4e22-9d2f-51398c4e6c3c

Location Number: 2
Determination: Photographer Stamp
Loc Begin Date: Unknown
Determination: Unknown
Loc End Date: Unknown
Determination: Unknown
Address: 1206 Chestnut St.
City: Philadelphia
State: PA
Country: United States
Note: None
Active: True
Archivist: CuratorInChief

b7037b60-9bea-49d7-8b13-f4398be73b0b

Location Number: 3
Determination: Photographer Stamp
Loc Begin Date: Unknown
Determination: Unknown
Loc End Date: Unknown
Determination: Unknown
Address: 158 West 125th St.
City: New York (City)
State: NY
Country: United States
Note: None
Active: True
Archivist: CuratorInChief

832cda14-84af-448f-9e68-d2bd416e2bce

Location Number: 4
Determination: Photographer Stamp
Loc Begin Date: Unknown
Determination: Unknown
Loc End Date: Unknown
Determination: Unknown
Address: 680 & 1177 Broadway
City: New York (City)
State: NY
Country: United States
Note: Sarony Napoleon & Campbell Alfred S
Active: True
Archivist: CuratorInChief

9b9e386b-e023-4a42-82fa-199326e76fcf

Location Number: 5
Determination: Photographer Stamp
Loc Begin Date: Unknown
Determination: Unknown
Loc End Date: Unknown
Determination: Unknown
Address: 522 Fulton St.
City: New York (Brooklyn)
State: NY
Country: United States
Note: None
Active: True
Archivist: CuratorInChief

ece37768-8bcb-4cda-874b-d6a64c1d88b2


notes separator

left marker License and Citation left marker
License: Public Domain Standard: Visual Ancestor provides access to this and other related digital works based upon evidence that they exist within the Public Domain with no rights restrictions upon them, nor any other restriction on their use. We hold this belief based upon the age and nature of these works, and lack of evidence of any copyrights in effect. However, we do not provide any guarantee, implied or actual, that this is necessarily the case and advise you to arrive at your own conclusion before using these works. If you have evidence that these works are protected by a legally valid copyright, please report such evidence to us for immediate action. Submit take-down request. More about licensing.
Citation: Sarony Otto of Otto Sarony Co. (Est. 1880-1940). Photograph 10024-505. https://www.visualancestor.com/image/?group=10024&image=10024-505. In the digital collection The Lady Nextdoor. Visual Ancestor Library of Photographs from 1840-1940. June 17, 2025.

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left marker Facial Recognition left marker
Facial Recognition is an advanced feature of Visual Ancestor whereby each face within this photograph (up to a maximum of ten) is compared to all other faces in the Visual Ancestor Library. Faces that are similar above a 92.00% similarity thresshold are presented. The higher the similarity, the more likely the faces are of the same person.


Facial Recognition is only available for members of the Visual Ancestor Library. Membership is free -- join today.


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left marker Notes left marker
Notes about Altering Photographs

It should always be the case to present the original, unaltered photograph as it really exists as the true obverse "a" side, and likewise the original, unaltered back side as the true reverse "b" side. This ensures the true nature and appearence of the photograph is preserved in an original and unaltered state. If the photograph warrants repair, enhancement, or restoration, this would make for excellent "additional sides" to include along with the original "a" and "b" sides. This is why some photographs have these additional "c" and sometimes "d" sides.

Notes about Photograph Quality

For best preservation, photographs should be scanned at a minimum resolution of 600 dpi (dots-per-inch) for the obverse side, and a minimum of 300 dpi for the reverse side. It is better to capture too much quality and image detail than too little. Tiny photographs can be scanned at 1,200 dpi. Scanners usually have settings that allow you to adjust scanning resolution.

Image compression also plays a factor in image quality. Higher compression means image quality is lower, but the file size commensurately decreases. File formats that are "lossless" have no compression (thus maximum quality), but may consume more memory space than what is really needed. Visual Ancestor uses JPG images with 5% compression (95% quality factor) for the obverse side, and 10% compression (90% quality factor) for the reverse side.

Notes about Shading and Hues

The shading and hues of color of a photograph can vary from when it appears in an album page (usually lighter and dominated by lighter hues) to when it is scanned alone (usually darker and dominated by darker hues). This is due to how a scanner or camera adjusts the overall shading and coloring of the overall image based upon the entire field of light that it captures.

The surface area of album pages, which are usually very light in shading, influences how the photographs appear therein. This is why a photograph in an album page may appear lighter and dominated by lighter hues, while the exact same photograph when viewed alone may appear darker and dominated by darker hues.